Florence and the Machine at MSG recap: Where to…
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Although April 21 wasn’t a significantly spring-y New York City night time, the flower crowns had been out in Manhattan that night.
At least that’s what my spouse, a longtime Florence and the Machine fan (or a Flow if you’ll), reported after seeing the baroque hitmakers live at Madison Square Garden as half of their ongoing ‘Everybody Scream Tour’ in assist of their rapturously-received, recently-released album with the same identify.
The show, my spouse’s first at MSG, more than lived up to her sky-high expectations.
“Madison Square Garden was shaking,” she told me. “The crowd was pumped. It’s amazing that Florence Welch can crawl and sing and hold a microphone.”
That’s far from all Welch did, though.
Over the course of 21 songs, the Grammy-nominated group electrified, floored and wowed the sold-out Garden.
For a nearer look — particularly if you’re on the fence about attending the April 24 Barclays Center show or April 25 Boardwalk Hall gig — listed here are my spouse’s takeaways from choose highlights of the cathartic live performance.
My spouse’s take on the Florence and the Machine MSG live performance
To get the show underway, Welch delivered a stinging rendition of the latest file’s title observe “Everybody Scream,” flanked by dancers in long black and white clothes flexing witchy actions.
“I thought that was ironic since the song seems to be about how exhausting performing can be,” my spouse mused.
A little bit later in the show, F+tM rocked their fan favourite hit “Shake It Off,” but in a barely slower and more inspiring method than the model we all know and love. “It’s lighter than the current album,” she opined.
After kicking her footwear off, the redheaded frontwoman unveiled the haunting, celestial “Seven Devils” from 2011’s “Ceremonials” that “the crowd seemed to love” and then rolled out the intimate epic “Big God” where she “knelt on the stage and sang to the GA crowd.”
Welch upped the ante with the stirring “Daffodils” that my spouse described as “very powerful” and noticed Florence exit into the basic admission space where she “pantomimed killing the backup dancers.”
While that might sound heavy, Welch swerved proper after with the bouncy “Which Witch” where she “encouraged everyone to jump.” Cue MSG shaking!
Although, the sonically-gifted and non secular group didn’t spend a lot of the night re-visiting their greatest hits (there was no “You’ve Got The Love,” or “Never Let Me Go”), they did dip into the properly for the otherworldly Cosmic Love.”
“It was an inspiring reset that builds,” my spouse said. “She hit a really impressive long high note, too.”
Welch acquired weak shortly after with “You Can Have It All.” She reportedly told the adoring crowd “it’s hard to sing” because of her historical past with the music and the dancers gave her a hug after she wailed the achingly uncooked ultimate word.
That vitality flowed into “Music By Men,” which “really showed off her vocal range,” my spouse added. “One of my favorites. Very poetic.”
For the next observe, “Buckle” (which Welch labored on with Mitski), my spouse explained that Welch prefaced the music by telling the crowd “it was embarrassing to include this one on the album since it was about someone not texting me back.”
Her confession endeared to my spouse who told me “I really liked this one. Lighter than her other songs.”
As she wound the night time down, Welch went big with emotion (she was in tears after belting “King”) and theatricality (“Howl” featured “lots of skirt-waving choreography” that reminded my spouse of ‘The Crucible’ or ‘John Proctor is the Villain’”).
Before getting to the encore, Florence unleashed the attractive “Sympathy Magic.” “A beautiful, hopeful note to end on,” my spouse famous. “She shook hands and hugged people in GA.”
Following a short respite, the ensemble returned to a lot fanfare. The rockin’ “One of the Greats” began the last portion of the gig and despatched Welch into GA once again.
Finally, after all this wandering and all this ready, the fiery viewers was was handled to the smash “Dog Days Are Over.” To get into the correct headspace, Welch requested that the Flows “put their phones away so they could take it and dance.”
Dance reigned supreme for the jittery “Free” before Welch mellowed issues one last time for the peaceable “And Love” where she repeats the chorus “peace is coming” that she needs “would come true” before including “songs are a prayer or spell.”
With that, the lights got here up and the restorative show was over. The flower crowns emerged back into the New York City night time, standing out as a uncommon vivid spot on that dreary, dreadfully cold night flowing into the crowd.
Florence and the Machine tour schedule 2026
A whole calendar including all remaining North American tour dates, venues and hyperlinks to buy tickets will be discovered below.
Florence and the Machine tour datesApril 24 at the Barclays Center in Brooklyn, NYApril 25 at the Boardwalk Hall in Atlantic City, NJApril 28 at the Benchmark International Arena in Tampa, FLApril 29 at the Kaseya Center in Miami, FLMay 1 at the State Farm Arena in Atlanta, GAMay 2 at the Bridgestone Arena in Nashville, TNMay 4 at the Moody Center in Austin, TXMay 5 at the Toyota Center in Houston, TXMay 7 at the Dickies Arena in Fort Worth, TXMay 9 at the Desert Diamond Arena in Glendale, AZMay 12 at the Climate Pledge Arena in Seattle, WAMay 13 at the Moda Center in Portland, ORMay 15 at the Chase Center in San Francisco, CAMay 19 at the Kia Forum in Inglewood, CAMay 20 at the Kia Forum in Inglewood, CA
Florence and the Machine set checklist
According to Set List FM, right here’s what Florence and the Machine took to the stage at MSG on April 21.
01.) “Everybody Scream”
02.) “Witch Dance”
03.) “Shake It Out”
04.) “Seven Devils”
05.) “Big God”
06.) “Daffodil”
07.) “Which Witch”
08.) “Cosmic Love”
09.) “Spectrum”
10.) “You Can Have It All”
11.) “Music by Men”
12.) “Buckle”
13.) “King”
14.) “The Old Religion”
15.) “Howl”
16.) “Heaven Is Here”
17.) “Sympathy Magic”
Encore
18.) “One of the Greats” (with Mark Bowen)
19.) “Dog Days Are Over”
20.) “Free”
21.) “And Love”
Florence and the Machine new music
On Oct. 31, Florence and the Machine unveiled their important sixth studio album “Everybody Scream.”
The title observe, “Everybody Scream,” which also kicks off the 12-track file, begins mysteriously with a haunting, ghostlike marriage of unnerving yet magical vocals and devices until the band blows it all up all at once with defiant electric guitar and primal, unguarded screams. From there, the music finds a more simple groove yet never wavers from its impassioned ferocity as evidenced by unforgettable, piercing lyrics like “the witchcraft, the medicine, the spells, and the injections/The harvest, the needle, protect me from evil/The magic and the misery, madness and the mystery/Oh, what has it done to me? Everybody scream.” This one isn’t just a keeper. It’s an all-timer.
Right after, FatM dive into the slow burn, tongue-in-cheek “One Of The Greats” that Florence described as a “lunatic, enormous, poem-rant-joke thing” to The Guardian. The music is probably going referred to as a “joke” because Welch comes fairly laborious at male rockers with a lacerating depth. Although she might toss off the music as a gag, strains like “It must be nice to be a man and make boring music just because you can” and “It’s funny how men don’t find power that sexy/So this one’s for the ladies” cut through the noise and deliver up a very real double commonplace in rock.
They refuse to let up from there. The tribal, plucky “Witch Dance” comes next and waffles between effortlessly gentle instrumentals that will make you are feeling like working, working, working while Welch’s crushing vocals slow you down like sinking in quicksand.
Up fourth, “Sympathy Magic,” a lilting, mild piece, discovers a real urgency one minute into its runtime and refuses to let up. The strings and piano attain a fever pitch and, as always, Welch’s immortal voice reaches not possible, sustained high notes.
While there’s no filler later on, we suggest looking for out the pretty, understated “Perfume and Milk,” surprisingly celestial “Kraken” and symphonic coda “And Love” that melds the harp with synthesizers to create an unlikely auditory cohesion. What an absolute deal with.
To hear the luxurious file for your self, you could find “Everybody Scream” right here.
Florence and the Machine particular company
At all ‘Everybody Scream’ concert events, Florence and the Machine might be joined by a particular visitor or two. To make sure you’re up to pace on their respective sounds, right here’s each artist’s most-streamed music on Spotify.
Rachel Chinouriri: “All I Ever Asked”
Sofia Isella: “Hot Gum”
CMAT: “Take A intimacyy Picture Of Me”
Mannequin Pussy: “Romantic”
Huge stars on tour in 2026
Although not many artists can match Florence and the Machine’s unbridled ardour and ferocity onstage, listed here are 5 of our favorites with comparable sensibilities that might be on the highway these next few months.
• Brandi Carlile
• Lily Allen
• Rosalía
• Tori Amos
• Melanie Martinez
Who else is delivering showstopping performances to the people?
Great query.
We counsel taking a look at our checklist of all the greatest artists on tour in 2026 to discover the show that makes the most sense for you.
This article was written by Matt Levy, New York Post live occasions reporter. Levy stays up-to-date on all the latest tour bulletins from your favourite musical artists and comedians, as properly as Broadway openings, sporting occasions and more live reveals – and finds great ticket costs online. Since he began his tenure at the Post in 2022, Levy has reviewed a Bruce Springsteen live performance and interviewed Melissa Villaseñor of SNL fame, to identify a few. Please word that offers can expire, and all costs are subject to change.
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