Mike Flanagans Carrie is a bloody good Stephen…
High college is hell — At least it is in Stephen King’s “Carrie.”
Horror king Mike Flanagan’s new reboot is an engrossing update of the basic story for the Gen-Z period. It honors the unique, while tweaking enough particulars to make it recent.
Premiering Oct. 7 on Prime Video, “Carrie” is helmed by “The Haunting of Hill House” creator, with King on board as government producer.
Summer H. Howell is the latest model of Stephen King’s well-known Carrie in “Carrie.” Robert Falconer/Prime
Mike Flanagan’s update of “Carrie” for the Gen-Z period co-stars Siena Agudong as Sue and Joel Oulette as Tommy (pictured). Robert Falconer/Prime
The basic plot is the story we’re all acquainted with.
Carrie White (Summer H. Howell) is a teen woman who grew up in seclusion, raised by her strict mom, Margaret (Samantha Sloyan). When she attends high college for the first time, the sheltered woman struggles to navigate social cues. Bullying ensues, and her telekinetic talents start appearing up.
The entire factor culminates in a promenade that doesn’t go nicely – to say the least.
Sissy Spacek starred in the 1976 movie “Carrie.” Everett Collection / Everett Col
The 1976 “Carrie” (pictured) made the bloody promenade scene horror film historical past. Courtesy Everett Collection
None of that is a spoiler, since “Carrie” has been a best vendor since 1974, and the film starring Sissy Spacek got here out in 1976. (It also obtained a swiftly forgotten 2013 remake starring Chloë Grace Moretz and Julianne Moore).
The bloody promenade scene in “Carrie” is as iconic in popular culture historical past as the “Psycho” bathe scene.
Wisely, the show acknowledges it proper out of the gate and doesn’t fake the viewers is ignorant about what the big climax is.
Carrie’s classmates (pictured in a scene from “Carrie”) have more trendy methods to bully. Courtesy of Prime
“Carrie” is the timeless story of a sheltered woman and her paranoid mom (pictured with Howell and Sloyan). Robert Falconer/Prime
The transfer might have made the show predictable, but instead, it makes use of our data to make the journey to that vacation spot shocking and full of mounting stress.
“Carrie’s” scaffolding is acquainted, but the construction and decor on top are shiny and new as the sequence will get a modern setting with social media, online message boards, and a moody Lana Del Rey soundtrack.
Whereas other “Carrie” diversifications have been 2-hour motion pictures, the “Fall of the House of Usher” creator makes use of the show’s almost 8 hours to develop the scope of this world and flesh out the facet characters like Sue Snell (Siena Agudong) and imply woman Chris Hargensen (Alison Thornton).
Flanagan’s “Carrie” humanizes imply woman Chris, seen above, performed by Alison Thornton. Robert Falconer/Prime
“Carrie” acknowledges that the viewers is aware of the big climax, and makes use of it to construct stress. (Howell pictured in the sequence.) Robert Falconer/Prime
Chris isn’t redeemed, but she will get more depth and humanity than past variations of “Carrie” have afforded her. The same might be said for Carrie’s mom.
We also spend a lot of time with varied mother and father and college staffers, like Matthew Lillard, who shines as the more and more harried principal.
Some of the additions may be controversial to followers of the unique, such as new character Emaline (Thalia Dudek), whose position is the most important and shakiest change.
The new “Carrie” also focuses on mother and father and lecturers, like Matthew Lillard as the principal (pictured). Robert Falconer/Prime
For Flanagan followers, “Carrie” lands solidly in the center of his work (pictured with Howell and Sloyan). Liane Hentscher/ Prime
For followers of Flanagan’s work, “Carrie” lands solidly in the center. It could also be underwhelming if you need the Gothic environment and chills of “Hill House” and “Midnight Mass,” but it’s better than “The Haunting of Bly Manor” and “The Midnight Club.”
It’s most related to “The Fall of the House of Usher,” in the sense that it exhibits a deep understanding of the source materials, while spinning it in some different instructions.
“Carrie” is a compelling, provocative trendy take on the timeless story of bullying, empathy, isolation, and revenge.
Flanagan’s “Carrie” makes some adjustments to the source materials, but also understands it (pictured with Sloyan). Robert Falconer/Prime
Flanagan’s “Carrie” (pictured with Arthur Conti and Thornton) isn’t just a nostalgia cash-grab, it has a lot to say. Robert Falconer/Prime
There are too many diversifications and remakes that don’t say a lot past, “Remember this? Don’t you want to throw your money at a new version?”
This show isn’t just a nostalgia cash-grab — It has a lot to say.
“Carrie” premieres October 7 on Prime Video.
We present you with the trending topics. Get the best latest Entertainment news and content on our web site daily.
