Oasis MetLife Stadium concert review: Set listing,…
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On Sunday, Aug. 31, the dream of the 90s was alive in the Meadowlands.
For the first time since ’09, Oasis carried out live in the Garden State and did so with gusto.
The show, which was the first of their two nights at the 82,500-seat MetLife Stadium with particular visitor Cage The Elephant, was half of their ongoing, headline-making, earth-shaking ‘Live ’25 Tour’ that was announced last summer time.
And, they didn’t disappoint. In fact, the Gallagher brothers far exceeded expectations.
Over two hours, Liam and Noel ran through their legendary catalog, enjoying a dense set heavy on cuts from their 1994 debut “Definitely Maybe” and game-changing 1995 album “(What’s The Story) Morning Glory?” along with a few tracks from “Be Here Now,” “The Masterplan” and “Heathen Chemistry.”
Sorry “Standing on the Shoulder of Giants,” “Don’t Believe the Truth” and “Dig Out Your Soul” followers. This wasn’t your night time.
Diehard “Madferits” sang along with every single phrase matching Liam’s incomparable sneering vocals and Noel’s lilting, impassioned sound with relative ease. Clearly, these songs had been the soundtracks to a great many of those in the building and that giddy pleasure carried throughout the night time.
In fact, at occasions, the vigorous show turned into a hooligan-like ambiance as the Britpop rockers — who put on an anti-authoritarian punk streak on their sleeve — impressed the final admission viewers to bounce in unison inflicting the Giants and Jets’ stadium to actively shake.
Yes, actually.
Was this the show of the summer time?
Definitely possibly.
For a more complete recap of the night, keep studying.
We’ve received every thing you need to know about the Oasis MetLife concert from Cage The Elephant’s energetic opening set to the Gallagher brothers’ explosive encore below.
Oasis schedule 2025
Before diving into our full rundown of the night, we wished to level out that Oasis still has a few more reveals before calling it quits this yr. Here’s where you will discover the band live this September.
Getting into MetLife Stadium
As is par for the course, touring to East Rutherford, NJ takes some astute commuter ability.
To get to MetLife from New York — if you’re one of the many carefree, carless New Yorkers like myself — one wants to take the New Jersey Transit one stop from Penn Station to Secaucus. Then, once you’ve hopscotched to another practice for another fast one-stop trek, you’re at MetLife. All in all, this jaunt takes about half-hour.
Upon arrival, you de-train, stroll to the doorway and wait in line. One emptying of the pockets and displaying QR codes later, you’re in the building. Concert time.
Cage The Elephant comes in scorching
Almost immediately after grabbing my seat, Matt Shultz’s blustery band swaggered onstage. Now, that’s how you time a concert night time just proper.
The fuzzed-out Kentuckians kicked off the night with the bleat-y rocker “Broken Boy” and its hook-y refrain “How does it feel?” that can simply worm its method into your mind for weeks on end. To cap the cheeky jam, they ended the music on a blackout dime. The rock and roll get together was formally underway.
Shultz, 41, got here out swinging with “Spiderhead” next. Evoking a scraggly, younger Mick Jagger, he refused to maintain back on the big stage. Although the gang hadn’t fairly linked with him just yet — that would occur once the lights received low — the frontman and his tight backing band with their kick-slap drums delivered trippy, bluesy breakdowns. Delightful.
No matter what different musical avenue they traveled down, the group seemingly always ended up at the same place: pure rock and roll that works for all ages.
To add to the carefree spirit, Shultz requested the viewers participate in a “dog bark” call and response. As unconventional a transfer as this was, he unleashed one thing within the half-full stadium. Here was a showman prepared to go the entire 9 yards to pull us in. It labored.
The temperature finally modified once the stadium went from magic hour golden hues to darkened black and blues. Cage busted out the hits like “Ain’t No Rest For The Wicked,” “Telescope,” “Shake Me Down,” “Cigarette Daydreams” and the half lullaby, half headbanger “Come A Little Closer.” All of a sudden, this felt like a headliner set.
Buried within these radio-friendly nuggets was a deft ability from the singer who switched from talk-singing to go-for-broke punk vocals (he even held the mic stand upside down at one level for chrissakes), which allowed the band to sound both pristine and soiled all at once. Truly elegant.
Gee whiz, they didn’t have to go this onerous. The bar had been raised for Oasis.
If you need to see Cage The Elephant headline, they’re going on a nationwide tour this fall. That consists of a pair of concert events at Port Chester, NY’s Capitol Theatre on Oct. 28-29.
Oasis electrifies
Once Cage was out of the way in which, that hooligan-y vitality flooded the mega venue. A handful of people snuck into my part to get nearer to the motion. A bucket hat bucket listing event was about to get underway and the “Madferits” wouldn’t settle for their seats. I get it. This was a vacation spot show that people had traveled for since Oasis curiously booked so few U.S. dates. They wished to be as close to Liam and Noel as humanly doable.
At 8:45 p.m., a testing sample checking MetLife’s quantity appeared on the giant screens.
Raucous applause bled into the triumphant opening monitor “Hello,” which reintroduced us to Liam Gallagher (wanting a bit like Willem Dafoe) and his low-key youthful sibling Noel. Invigorating photos flashed on the larger-than-life screens behind them.
Their down and soiled, lo-fi, “we don’t give a s— what you think,” naked bones rock and roll show of our desires was finally underway.
They blazed through fan favorites. The traditional, hovering B-side “Acquiesce.” The feedback-filled epic “Morning Glory.” The straight down the center fastball “Some Might Say.”
This was the uncommon reunion concert that invigorated and didn’t really feel like a leisurely stroll down reminiscence lane.
And, even though, the band still exuded their deliberately detached perspective from the stage — I’m wanting at you, pouting, sunglasses-sporting Liam (although shaking a tambourine and maracas was a good contact) — the followers couldn’t have been more enthusiastic. The place positively bounced as the final admission trustworthy jumped in unison and hung on every phrase.
Sure, one might argue at this level within the show that most of the band’s songs sound considerably comparable. Yet, when they’re all that good, it’s onerous for a hater to put up an excessive amount of of a battle. Oasis is unfiltered, wall-of-sound rock at its most interesting.
Oasis’ night glory
The simple singalongs — it’s onerous not to decide up what Liam and Noel are placing down with their oft-repeated lyrics — stored the gang ’around the group’s spindly finger.
Hard-charging “Bring It On Down” had the followers bloody hopping mad. Heck, this stage of fervor is often reserved for cults. All the while, Liam went onerous effortlessly spewing angst. He’s not very cellular for a frontman — in contrast to Cage The Elephant’s Shultz, he was virtually static — but stayed be aware excellent with his insurgent yell kick-in-the-pants vocal fashion.
Shortly thereafter, Oasis’ “Bang A Gong” homage, “tobacco & liquor,” blasted rock straight into our faces. Although often labeled as “pop” or “Britpop,” the outfit’s lesser-known hits couldn’t be additional from what one may anticipate from radio-friendly music. They produce blistering stadium anthems that often veer into a increased aircraft of existence. Call it bliss.
Still, mini squabbles had been ever-present. If you paid close enough consideration, one might catch a glimpse of Liam micromanaging the band onstage. Even at this scale, enjoying songs that are three many years outdated, he’s a perfectionist.
Following the strutting “Fade Away,” slacker epic “Supersonic” (still dripping in cool) and rollicking, Beatles-y “Roll With It” (the soundtrack to youth), the group slowed issues down and let Noel take over.
Going into ballad territory with the wistful ‘Talk Tonight,” melancholy “Half The World Away” and sensual singalong “Little By Little” allowed the Oasis GA goons time to finally relax. Yes, things may have gotten a bit sappy for a moment but when you’ve melted our faces clean off for practically an hour, you’re allowed to get susceptible, unhappy and a bit smooth.
Ahead of the grand finale
Prior to the hit parade we had been all dreaming of — “Wonderwall,” anybody? — Oasis dropped the chilled-out ball of vitality “D’you Know What I Mean?” The lyrics “all my people right here right now know what I mean” served as a excellent thesis for the night. Everyone in the building was on the Gallaghers’ wavelength.
Right after, Liam took a backseat to Noel on the fantastic “Stand By Me.” While his little brother wailed his coronary heart out and rocked the acoustic guitar, he performed with his ears. Silly stuff.
Of course, there was a requisite Coldplay dishonest joke main up to the romantic rocker “Slide Away.” For the next fiveish minutes, the dudes shredded, bringing us fuzzed-out jam nirvana. While not the band’s largest hit, the monitor was positively made to be unleashed at a venue this large.
Now, in the home stretch, Liam busted out “Whatever,” aka his persona encapsulated within a single music. The fact that he labored an “Octopus’ Garden” tip of the cap in mid-tune was a good cherry on top to an Oasis important.
Dedicating “Live Forever” to “the kiddies in Minneapolis” was a uncommon misstep for the group. Sure, the sentiment was spot-on but Liam’s tossed-off supply of the tribute to the victims got here across as a bit obtuse. Like a fill-in-the-blank for whatever the most current tragedy was. A minor criticism for sure — their coronary heart is in the precise place — but a bit of real compassion right here would have been a good contact.
Finally, “Rock ‘n’ Roll Star,” an opener tucked away at the end of the show if I ever heard one, invited the gang in to be a star like Liam and Noel with its big, beneficiant hooks.
The band walked offstage. We had been moments away from the…
Encore of your desires
Before taking us to thee big three, the deceptively simple “The Masterplan” led the way in which. The inspiring “dance if you wanna dance/please brother take a chance” bit induced chills. You might do a lot worse for a tease forward of the grand finale.
And, then, it got here.
“Sally can wait” for the hits for only so long.
The transcendent barnburner “Don’t Look Back In Anger” — evoking Lennon’s “Imagine” — had the enrapt viewers screaming along prefer it was 1994 all over again. A girl in our row mimed tears flowing. Audience members that didn’t know each other hugged when it was all said and finished. Wow. Hearing “So, Sally can wait” live actually can heal even the most jaded of Gen X hearts.
Next, the majestic end turned to the all-timer “Wonderwall.” It felt like we had been rolling down a hill, just pure, childlike ahead movement. Liam and Noel had us eating from the palm of their fingers.
Words can’t describe listening to “Wonderwall” with a packed home. Sharing the music that we’ve all sung alone in our vehicles, in our showers, in grocery shops for our lives is one thing else. It doesn’t matter if you’re a honest climate fan or lifelong Oasis obsessive, this is the stuff of magic. Of desires. A music you’ll play for your child when they’re born. A music to go on for generations. A music that will make you inexplicably cry when you hear those unmistakable opening strings. And live? Multiply those feelings occasions ten. I’m still tearing up, wishing I could possibly be there singing along with my fellow followers endlessly.
Dammit, Liam, I do know you won’t care like we followers do, but, this one, this one is a present from a increased energy. Thank you for that.
Unbelievably, Liam and Noel hit an even increased high closing the night time with the impossibly attractive “Champagne Supernova,” which, sneakily, could also be their best music. “Where were you while we were getting high” is undeniably a God-tier lyric.
As the delicate requiem washed over us, MetLife stunned with a neverending fireworks show. This was a true champagne supernova in the sky. That’s how you end a show.
Final verdict
For two hours, I felt like I used to be in England in ’94. I could have been six then. Truth be told, I’ve never been to the U.Okay. Still, Oasis transported us all back to a time, a place, an perspective, a feeling, a morning glory.
If you’re kicking your self for not having seen them live on this run, it isn’t too late. They’ll be in LA and London next. Don’t miss Liam and Noel. Who is aware of if they ever do this again?
Getting home
Exiting with the plenty was a nightmare.
Wall-to-wall followers trying to take the practice home made for transit hell. The NJT stalled. Even, my eventual midnight 7 practice home gave out on me. No matter, though.
The followers sang “Don’t Look Back In Anger” and “Champagne Supernova” all the way in which back. As upsetting as the delayed journey state of affairs was, once again, one merely couldn’t be offended when you had been half of such an enlightening communal expertise that prolonged long after the last fireworks.
Oasis set listing
According to Set List FM, right here’s what Oasis took to the stage on Aug. 31 at MetLife Stadium.
01.) “Hello”
from “(What’s The Story) Morning Glory?”
02.) “Acquiesce”
B-side on “(What’s The Story) Morning Glory?”
03.) “Morning Glory”
from “(What’s The Story) Morning Glory?”
04.) “Some Might Say”
from “(What’s The Story) Morning Glory?”
05.) “Bring It On Down”
from “Definitely Maybe”
06.) “tobacco & liquor”
from “Definitely Maybe”
07.) “Fade Away”
from “The Masterplan”
08.) “Supersonic”
from “Definitely Maybe”
09.) “Roll With It”
from “(What’s The Story) Morning Glory?”
10.) “Talk Tonight”
from “(What’s The Story) Morning Glory?”
11.) “Half the World Away” (devoted to ‘the Irish’)
from “The Masterplan”
12.) “Little by Little”
from “Heathen Chemistry”
13.) “D’You Know What I Mean?” (devoted to ‘the warriors, not the worriers’)
from “Be Here Now”
14.) “Stand by Me”
from “Be Here Now”
15.) “Cast No Shadow”
from “(What’s The Story) Morning Glory?”
16.) “Slide Away” (devoted to ‘the lovebirds’)
from “Definitely Maybe”
17.) “Whatever” (with snippet of The Beatles’ ‘Octopus’s Garden’)
from “Definitely Maybe”
18.) “Live Forever” (devoted to ‘the kiddies in Minneapolis’)
from “Definitely Maybe”
19.) “Rock ‘n’ Roll Star”
from “Definitely Maybe”
Encore
20.) “The Masterplan” (preceded by band introductions)
from “The Masterplan”
21.) “Don’t Look Back in Anger”
from “(What’s The Story) Morning Glory?”
22.) “Wonderwall”
from “(What’s The Story) Morning Glory?”
23.) “Champagne Supernova” (adopted by fireworks)
from “(What’s The Story) Morning Glory?”
Throwback teams on tour in 2025
Nostalgic for a time before the web dominated our lives?
You’re in luck.
Here are 5 more enormous artists that dominated the charts during the early days of the World Wide Web that shall be doling their hits at venues all over the U.S. and Canada these next few months.
• Blink-182
• Morrissey
• Trey Anastasio
• Paul McCartney
• Goo Goo Dolls with Dashboard Confessional
Plus, Cat Stevens (Yusuf Islam) has a handful of gigs lined up as effectively.
Who else is out and about? Take a look at our listing of all the most important artists on tour in 2025 to discover the show for you.
This article was written by Matt Levy, New York Post live occasions reporter. Levy stays up-to-date on all the latest tour bulletins from your favourite musical artists and comedians, as effectively as Broadway openings, sporting occasions and more live reveals – and finds great ticket costs online. Since he began his tenure at the Post in 2022, Levy has reviewed a Bruce Springsteen concert and interviewed Melissa Villaseñor of SNL fame, to title a few. Please be aware that offers can expire, and all costs are subject to change
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