Outlanders Sophie Skelton shares ‘disturbing’ moment | UK News

One of Outlander‘s main stars has revealed particulars about their thrilling new movie project past the beloved Starz sequence, following the current release of season eight’s trailer and another solid member securing a function in a gripping new sequence, reviews the Daily Record.

British performer Sophie Skelton, adored by numerous followers for portraying Brianna MacKenzie, embraces a dramatically different character from the time-hopping engineer in her latest psychological thriller Row.

The Raindance award-winning manufacturing follows a transatlantic rowing crew trying to shatter the world file, only for their voyage to conclude catastrophically with a traumatised lone survivor, Megan (portrayed by Bella Dayne), who makes an attempt to reconstruct occasions despite struggling reminiscence loss while proving her innocence relating to their deaths.

Row moreover options illegal killingbot’s Akshay Khanna, Before We Die’s Mark Strepan, and Ghost Keeper’s Nick Skaugen.

Speaking completely to Reach Screen Time, the 31 yr outdated performer mentioned embracing the function of resilient yet carefree sailor Lexi: “I think the main thing was just the difference of the character. I’ve always played very strong characters, which Lexi is but her strengths come out in a very different way.”

She continued: “It was just so fun to do something so taxing physically.”

The half demanded the Woodford, Greater Manchester native grasp rowing techniques, with Skelton quipping that she alongside fellow solid members have been “getting quite hench” from the demanding bodily training. Another aspect that drew Skelton to the function was Lexi’s “carefree” and “hippie-dippy” persona, which offered a placing departure from her earlier characters.

Filming occurred across a number of weeks at a derelict naval facility in John o’ Groats, Scotland, during the ultimate phases of the Hollywood strikes.

The ensemble labored aboard an genuine transatlantic rowing vessel positioned within a specifically constructed water tank perched on a clifftop, while sure sequences have been captured on the open sea.

She characterised the filming expertise as “rough and rugged”, with manufacturing even halting for a day owing to black mould contamination.

Whilst the performers did not endure the brutal situations that sailors on transatlantic journeys sometimes face, including bloodied palms and near-frostbite conditions, the solid did encounter adequate hardship to authentically join with their roles.

“We obviously didn’t get to explore the full sort of scope of that. But you do get to feel, to a point: what it’s like when you’re hungry; what it’s like to not be able to go to the loo; what it’s like to be relentlessly pelted with rain; your hands to just be blistered and sore; and just to be so cold your lips are chapped,” she detailed.

Skelton went on to evaluate Row to working on her hit TV show: “With Outlander, we’ve all known each other for so long that everything is second nature and whatever else. Whereas on this, we didn’t really have much time to get to know each other and even on the boat, there’s so much to get through.”

Nevertheless, they have been united by the shared ordeal of filming in such a cramped atmosphere, as effectively as having to relieve themselves in a communal bucket positioned at the rear of the vessel.

Skelton continued: “It was so different and luckily, I think I was so well prepared. I think everyone else was shocked at how bad Scottish can be. The only thing that was different was we were on a very low budget movie, independent.”

“I did 10 years of Outlander and we would complain about the weather. This was so scary. It was awful,” she remarked.

Furthermore, the actress revealed that Outlander provided far more adaptability than Row, allowing scenes to be moved indoors or offering climate safety when required.

“We did not have that luxury on this job, it’s very much like you get one take and you’ve got to move on,” she revealed.

Alongside the demanding nature of the shoot, which witnessed manufacturing halted on the opening day due to extreme climate, Skelton suffered a car crash during the early phases.

Her motor “aquaplaned”, overturned and crashed through fencing while travelling to the set, inflicting two fractured ribs, a damaged finger and whiplash.

Despite this, she persevered with filming for the next 5 weeks to end the image in 70mph gales on turbulent seas. At one stage, her character Lexi suffered a head wound during a tussle, with Skelton carrying a prosthetic injury fitted with a tube containing synthetic blood.

She remembered rising from hair and make-up sooner or later sporting the prosthetic and being questioned by fearful crew members about whether or not it resulted from the accident, prompting Skelton to guarantee them it was fully faux.

“So it was a little strange walking around like that. It was a little disturbing for me and for other people,” she said.

Skelton is now totally booked on extra initiatives following the completion of Outlander’s eighth sequence, which is scheduled to broadcast early next yr.

The actress described the conclusion of the programme as “bittersweet” and confessed there have been quite a few tears when filming ended.

Most not too long ago, she completed working on the follow-up to I Can Only Imagine in Nashville, Tennessee, showing alongside Dennis Quaid, Milo Ventimiglia and John Michael Finley.

She’s presently received a number of other movies in development and is focusing on what lies forward.

“I just like doing things that are very different from each other, like different accents,” she said, including: “So we’ll see what’s next.”

ROW can be out there on DVD & Digital platforms from September 29

Outlander: seen injury of My seen injury airs on Fridays on Starz in the USA and on Saturdays on MGM+ via Prime Video in the UK

Outlander season 8 will air on Starz and MGM+ via Prime Video in early 2026