REVEALED: THIS is what happens in the new | Indian Movie News
On August 1, not just Son Of Sardaar 2 and Dhadak 2 but even the re-release of Raanjhanaa’s (2013) Tamil model, Ambikapathy, hit cinemas. This is the first movie that has induced a controversy on its re-release as the studio, Eros International, modified the ending of the movie utilizing AI, without the data and approval of its director, Aanand L Rai. While it was identified that the new ending is a comfortable one, as opposed to the tragic ending of the unique model, no one knew how it will be depicted in the movie. But now that the movie has been launched, the cat is out of the bag.
The unique ending
Raanjhanaa ends with an injured Kundan (Dhanush) being introduced to the hospital. He vomits blood, to the shock of his childhood pals, Murari (Mohd Zeeshan Ayyub) and Bindiya (Swara Bhasker). Zoya (Sonam Kapoor), the love of Kundan, arrives and caresses the lifeless physique of Kundan.
The altered AI ending
In the new model, the scene of Zoya touching Kundan’s face is cut to one other shot where Kundan may be seen respiration. Murari and Bindiya may be seen observing the identical from exterior the hospital room. Just a few seconds later, both Murari and Zoya also enter the room and may be seen smiling. Finally, Kundan opens his eyes. In the next shot, he wakes up as a celebratory background rating is performed. The legendary last shot – that includes the child Kundan and grownup Kundan crossing paths – follows and that’s where the movie ends.
What has stunned the viewers is that the AI impact has been introduced upon fantastically. In reality, those who haven’t seen the unique model wouldn’t even have the ability to decide that the shot of Kundan waking up hasn’t been shot in actual life at all. Meanwhile, there have been studies of exhibits having good occupancy and Dhanush’s followers creating a frenzy in cinemas over the new, comfortable ending as properly as different heroic scenes of their favorite actor.
The controversy
However, the choice to have an AI-altered ending has led to a tiff between the studio and Aanand L Rai. Yesterday, Aanand wrote a long post on Instagram, “…I do not support or endorse the AI-altered version of Raanjhanaa. It is unauthorised. I had no role in it. Neither did the team that made the film. And whatever it claims to be, it is not the film we intended, or made. This was never just a film to us. It was shaped by human hands, human flaws, and human feeling. What’s now being circulated is not a tribute. It is a reckless takeover that strips the work of its intent, its context, and its soul. The idea that our work can be taken and modified by a machine, then dressed up as innovation, is deeply disrespectful…”
He additional added, “If Raanjhanaa meant something to you, as it did to us, please know that this AI-altered version does not reflect who we were. Nor does it carry the spirit of the film we made.”
View this post on Instagram
A post shared by Aanand L Rai (@aanandlrai)
Aanand L Rai had earlier also made his displeasure clear over the ‘reimagined version’ and shared a assertion. Consequently, Eros issued a assertion saying, “We at Eros International Media Limited categorically reject and strongly object to the unfounded and sensationalist remarks made by Mr Aanand L. Rai regarding the AI-enhanced re-release of Raanjhanaa. These remarks are not only factually incorrect and misleading, but appear to be a deliberate negative PR stunt designed to distract public and industry attention from serious and ongoing legal matters concerning Mr Rai and Colour Yellow Productions Pvt. Ltd. We view Mr Rai’s public outburst, especially timed just days after these disclosures, as a conscious attempt to shift focus away from the legal and governance issues he currently faces. It is unfortunate that a filmmaker of his stature would attempt to conflate legal accountability with creative victimhood. It would be best if Mr Rai respectfully acknowledges the ownership of IP as per the law of the land and his written undertakings, rather than use media unfairly as a platform to promote himself and thrive on unwarranted sensationalism.”
Also Read: Aanand L. Rai shocked over AI-generated ‘Happy’ ending for Raanjhanaa; says, “Imagine what this gimmick would do to cinema”
REVEALED: THIS is what happens in the new | Watch Online Free
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