Atlanta Celebrates #404Day Front Row At The…
There’s one thing sacred about 2000s R&B and hip-hop, particularly whenever you grew up with it. So, to have the Millennium Tour 2025 at State Farm Arena land on #404 Day, we already knew it was about to be a cultural reset.
And honey, it was.
Imagine R&B evening, however with the artists within the room! From the minute the lights went down, I used to be back in my childhood bed room—urgent play on a scratched-up CD or bootleg, attempting to memorize each ad-lib. Had my earplugs bumping all my SoundCloud downloads. But this wasn’t simply a journey down reminiscence lane. This was Atlanta, on 404 Day, exhibiting why we’re the cultural capital of this complete factor.
It was such a film second. Fans and entourage had been ready exterior for the celebs as they modified units. Plus, it began on time, filling the night with back-to-back jams and vibes. The whole viewers would proceed singing during pauses with the artists and even out within the food court docket.
You simply needed to be there.
Opening Acts Were Giving Hits, Vocals, & Vibes
The first few acts didn’t need warm-up time. Nivea had us in our emotions instantly, reminding the gang why her buttery vocals are nonetheless unmatched. The Ying Yang Twins had everyone within the building whispering, sweating, and hitting that ATL bounce prefer it by no means left.
Then got here RSVP, the R&B dream staff we didn’t know we needed however are so glad we obtained: Ray J, Sammie, Bobby V, and Pleasure P. One minute, followers had been belting “One Wish,” the following holding back tears during “Boyfriend #2.” The harmonies? The showmanship? Real R&B is alive and properly.
Rick Ross, Boosie & Plies Delivered the Hood Anthems We Still Love
Once the early acts wrapped, the vitality shifted into BOSS MODE with Rick Ross, who strolled out together with his signature calm however commanding presence.
“I’m a Boss,” “Aston Martin Music,” and “All I Do Is Win” hit in a different way whenever you’re surrounded by people who know Ricky Rozay and his bars like clockwork.
Then got here Boosie, who’s mainly a neighborhood hero at this level. “Set It Off” had everybody on go, whereas “Wipe Me Down” and “Swag Surfin” turned the world into one massive HBCU tailgate.
Plies did what Plies does best—be humorous, be fly, and provides us classics. And then, a true ATL love letter: he introduced out Keith Sweat.
Yes, thee Keith Sweat.
We swooned. We screamed. We known as our mamas.
Omarion Brought the Ice and the Heart
Omarion served easy vocals and glossy choreography with “Ice Box” and “Post to Be,” however the second he introduced out his daughter, then his son—and eventually had each on stage to close his set? I felt that.
It was a reminder that these artists aren’t simply icons—they’re fathers, creators, and people we’ve actually grown up with.
Bow Wow Made It Clear—This Is His City Too
Bow Wow got here out like a true hometown hero. “Shortie Like Mine” and “Fresh Azimiz” nonetheless hit.
But the magic got here in waves: Young LA popped up for “Ain’t I” (which is on its second TikTok life), then Ok Camp introduced the gang to their ft with “Money Baby” and “Cut That Bih Off” (a.ok.a. “snip snip hoe”).
Then Bow paused and mentioned what we had been all hoping for: “Y’all know I gotta bring out my pops.” Enter Jermaine Dupri, who shut down the stage with “Welcome to Atlanta.” As quickly because the beat dropped, the world grew to become one massive block occasion—a reminder that this metropolis made legends, and the legends always remember it.
Bow Wow additionally launched SahBabii, calling him “the hottest right now” and exhibiting actual like to the new faculty. SahBabii’s “Viking” had the gang lit, and it was a stunning factor to see OGs make space for new voices that push platforms for underground artists. Sahbabii can also be at present on his own rounds of touring for his project, so this was so sudden and thrilling!
Trey Songz Closed the Show Like Only He Can
Normally, Bow Wow ends the Millennium Tour—however not in ATL. This time, Trey Songz had the ultimate slot!
With a 35-minute set full of seductive gradual jams and sing-alongs, he had followers catching vocals and clothes—ripping off his tank prime and throwing it into the gang mid-performance. It was wild, it was sweaty, and it was peak Trigga Trey!
More Than Nostalgia—This Was Black Excellence on Tour
Powered by the Black Promoters Collective—the one wholly Black-owned company on Pollstar’s Top 100 promoters checklist—The Millennium Tour 2025 is more than a throwback. It’s a motion. The tour has already received Billboard’s “Rap Tour of the Year” and continues to pack arenas from coast to coast with a lineup stacked with each legends and rising stars.
Every artist made it clear: Atlanta isn’t simply a tour stop—it’s home. And we felt that. Whether it was by shock company, heartfelt speeches, or a setlist that lives rent free in our heads, The Millennium Tour reminds us why we love this music, these artists, and one another.
The tour didn’t simply go by Atlanta—it parked, partied, and paid homage. The sold-out stop supplied Southern love radiating from the stage to the nosebleeds. The night served as the proper strategy to have a good time Atlanta delight—and so they understood the project.
The love was actual, the music was timeless, and actually? I’d do all of it again tonight. Shout-out to the Y2K infants!
Next Up: After shutting down Atlanta, The Millennium Tour 2025 continues its run in cities like Houston, Chicago, Oakland, and Los Angeles—so if it hasn’t hit your metropolis but, trust us… it’s well worth the wait.
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