A.R. Rahman urges caution on AI in music; says, | Indian Movie News
In 2024, Lal Salaam, starring Rajinikanth, stirred dialogue with its music Thimiri Yezhuda. The buzz centered round music legend A.R. Rahman’s use of Artificial Intelligence to recreate the voices of late singers Bamba Bakya and Shahul Hameed. While many listeners discovered the gesture touching, others questioned the moral implications of utilizing AI to revive voices of the departed.
Sharing his perspective on the rising use of AI in music, A.R. Rahman spoke to PTI concerning the need for steadiness. He acknowledged that whereas AI presents thrilling inventive prospects, its software in music ought to be dealt with with care, sensitivity, and duty.
Rahman acknowledged, “I don’t know what’s going to be, belling the cat. Some of the songs are so filthy, yet they come out with the voices of popular singers. It needs to be controlled because if it’s not, there’ll be chaos.”
He additional defined, “There are both good and bad aspects, and the good things should be used to empower people who never had the chance to put their vision into action. But overusing it in a bad way is bad for us. It’s like mixing poison with oxygen and breathing it in. There should be rules, like certain things you can’t do. Like, how they talk about ethics or behaviour in a society, this is also behaviour in the software and digital world.”
The composer had beforehand addressed considerations concerning the use of AI to revive the voices of the late singers in Lal Salaam, clarifying that their households have been consulted, gave their consent, and have been compensated for his or her contributions.
A.R. Rahman additionally responded to singer Abhijeet Bhattacharya’s criticism, the place Bhattacharya had accused him of contributing to the decline of reside music and over-relying on technology in his compositions. Abhijeet argued that Rahman’s dependence on technology disrespects musicians who play conventional devices and that the shift in the direction of digital music is leaving many instrumentalists with out jobs.
In response, Rahman defended his use of technology, emphasizing that it’s not about changing reside musicians, however moderately enhancing the music-making course of. He added that he totally helps musicians and views technology as a instrument to discover new inventive prospects in music.
Rahman informed India Today in an interview, “It’s nice to blame me for everything. I still love Abhijeet, and I would send cakes to him. Also, it’s his opinion, and there’s nothing wrong with having one.”
Rahman shared, “I recently set up an orchestra with 60 women in Dubai. They’re employed every month and receive insurance, health benefits, and everything. In every movie I work on, whether it’s Chhaava or Ponniyin Selvan, there are 200-300 musicians involved, and some songs feature over 100 people. I don’t show off or post photos with them, so people don’t always know about it.”
He additionally clarified that computer systems are simply a instrument to design distinctive harmonies, enabling him to discover new sounds. He defined that hiring musicians for a project solely to later reject their work isn’t all the time sensible. Rahman additional added that the producers he’s labored with can attest to the quite a few musicians he’s collaborated with all through his profession.
On the work entrance, A.R. Rahman is reuniting with Mani Ratnam for his or her subsequent main project, Thug Life. Starring Kamal Haasan in the lead, the extremely anticipated movie is set to release in theatres throughout India on June 5.
Also Read : A.R. Rahman opens up on working with Kamal Haasan in Thug Life; says, “I feel like from the screen he’s looking at me”
A.R. Rahman urges caution on AI in music; says, | Watch Online Free
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