Larry David should give it a rest — his new HBO

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Larry David should give it a rest — his new HBO…

It’s prettyyyy, prettyyyy, prettyyyy unhealthy. 

Watching Larry David’s unlucky new HBO tribute to America’s 250th anniversary, “Life, Larry, and the Pursuit of Unhappiness,” made me need to secede.

Because, like Pavlov’s canine, viewers have been conditioned for a long time to roar whenever they so a lot as see David, the ingenious co-creator of “Seinfeld” and curmudgeonly star of “Curb Your Enthusiasm.”

Larry David performs historic figures in “Life, Liberty, and the Pursuit of Unhappiness” on HBO.

This time, though, the model for George Costanza is met with complete silence. Abruptly, the snicker affair ends with David’s shaky seven-episode sequence, produced by comedy icons Barack and Michelle Obama.

During the first chapter of “Unhappiness,” which pursues unhappiness all proper, I didn’t so a lot as half smile. Frowned, glowered, scowled, sure. My patriotic anthem: And the critic’s crimson glare! The jokes bursting on air!    

The show’s shtick is that it plops David and his normally hilarious fashionable gripes and grievances into major moments in American historical past: the writing of the Declaration of Independence, the trenches of World War I. 

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In one scene, he performs phone inventor Alexander Graham Bell as he first demonstrates his gadget. But the chatty man on the other end, performed by Richard Kind, is so annoying that Bell hangs up.

Another imagines Rosa Parks (Jurnee Smollett) on an earlier bus journey than the pivotal one that sparked a motion. She sits next to David’s character Murray, who jabbers on so a lot that she voluntarily strikes to the back to shake him.

The skits are more amusing when described than seen because a synopsis takes 10 seconds, not 5 minutes. 

Onscreen, the segments arrive at their apparent vacation spot fast and then linger there far too long — a personal high quality that “Curb” Larry would absolutely not approve of. 

David’s latest project is nowhere close to as humorous as “Curb Your Enthusiasm” was.

It also does the vignettes no favors that they’re all borderline an identical and, in contrast to in a great “Curb” episode, don’t add up to a big payoff.

I can perceive why David signed onto this. The sequence was the brainchild of stand-up-comic legend President Obama. It’s laborious to say “no” to a earlier commander in chief (who’s embarked on a bizarre Hollywood profession), even when you play a character beloved for saying “no” to just about everyone else. 

Also, one of David’s largest inspirations early in his profession was Mel Brooks. Maybe he thought that “Unhappiness” can be his very own “History of the World: Part I.” 

Well, he wound up with one thing nearer to Brooks’ 2023 Hulu show, “History of the World: Part II” — hated by the few people who truly watched it.

The actor performs his grouchy “Curb” persona once again.

How miserable. To my thoughts, David is just about the funniest man on the planet. This appears like a kidnapping. 

And if he was so intent on making more semi-improvisational TV that takes benefit of his grouchy persona — utilizing the same bits from “Curb,” by the best way — he should’ve just made another season of “Curb.” That sequence’ worst episode is ten occasions better than this.

David had an distinctive path to celeb. He made his fortune with “Seinfeld” behind the scenes and then turned well-known enjoying a fictionalized model of himself for an spectacular 24 years. In the minds of audiences, he and his TV double have merged. 

“Unhappiness” was the brainchild of President Obama.

So, wherever he goes, he always portrays amped-up “Larry David” — his Bernie Sanders on “Saturday Night Live” was that with hiked-up shoulders — because that’s what he is aware of and what people need.  

Yet, as his disappointing latest HBO effort proves, Larry’s bitter, choosy antics don’t match in in every single place. Really, I’m satisfied 2024’s terrific finale of “Curb” should have marked the end of them.

Alas. 

For David’s sake, let’s hope that “Life, Larry, and the Pursuit of Unhappiness” winds up a footnote in his own historical past.

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