Thamma director Aditya Sarpotdar defends use of | Indian Movie News
Filmmaker Aditya Sarpotdar, who is at the moment basking in the success of his latest release Thamma, has addressed the continued criticism surrounding the movie’s inclusion of three merchandise songs — ‘Poison Baby’, ‘Tum Mere Na Huye’, and ‘Dilbar Ki Aankhon Ka’. The director, who earlier delivered the horror-comedy hit Munjya within the universe, responded to the talk in an interview with SCREEN, explaining his artistic reasoning and how such songs play a purposeful function in fashionable storytelling and advertising.
Reacting to the backlash, Sarpotdar acknowledged, “All these things are marketing assets that lead you into a film. What counts is what the film gives you in the end. For me, when these songs appear, they’re there because my story unfolds through them.” The filmmaker emphasised that the tracks aren’t inserted merely for glamour but are woven into the narrative to improve its rhythm and emotional beats.
The dialogue around Thamma’s music gained traction after audiences questioned the need for three distinct merchandise songs in a horror-comedy. Addressing the criticism head-on, Sarpotdar identified that viewers notion appears to have shifted in latest instances. “This is the same audience that loved ‘Taras’ in Munjya and ‘Aaj Ki Raat’. Nobody had a problem then. But now, suddenly, it’s an issue. Maybe it’s just happening more often, so people are reacting differently,” he remarked.
Thamma, which stars Ayushmann Khurrana and Rashmika Mandanna, marks the first love story set within the Maddock Horror Comedy Universe — an interconnected cinematic world that contains Stree, Bhediya, and Munjya. Despite receiving blended crucial reviews, the movie continues to carry out steadily at the box workplace, drawing audiences for its mix of romance, supernatural intrigue, and quirky humour.
Aditya Sarpotdar’s response displays a broader dialog about how merchandise songs are evolving in modern cinema — from being standalone leisure numbers to narrative devices and highly effective promotional instruments. As he places it, what actually issues is the story that stays long after the music fades.
With Thamma, Sarpotdar once again proves that industrial appeal and storytelling can coexist — even if it means defending a few catchy beats along the best way.
Also Read: EXCLUSIVE: Thamma actor Rachit Singh aka Veeran on ready 10 years for the big break, “In these 10 years, I was working every day”; also reveals that his physique transformation took 9 months
Thamma director Aditya Sarpotdar defends use of | Watch Online Free
Stay in the know with the latest trending topics! Visit our web site daily for the freshest movie news and content, expertly curated to keep you entertained and informed.
