Rod Stewart named 60s hit as one of favorite songs that | Music News
Rod Stewart’s illustrious rock legacy, spanning from the anthemic ‘Maggie May’ to the poignant ‘The Killing of Georgie’, is well-documented in music historical past.
Yet, if you delve into his previous, you will uncover that a 1960 blues observe by Muddy Waters, whom Stewart never encountered personally but holds in high esteem, was pivotal in shaping his musical journey. It comes as he was just lately compelled to deal with claims of a rift with spouse Penny Lancaster.
For Stewart, Muddy Waters’ ‘I Feel So Good’ stands shoulder to shoulder with the hits that outlined his profession. “It was one of the first albums that I bought,” he reminisced during a 2018 “Tracks of My Years” phase with Ken Bruce on BBC Radio 2.
“It was Live at Monterey, I think, it was a live album. Was also a great influence on the Faces because we used to play this song. I think we recorded it and just lovely – Little Walter on the harmonica, Francis Clay, Willie Dixon on bass – just haunting!”.
Before Stewart’s days of fame, rubbing elbows with Elton John or collaborating with Tina Turner, he was a younger fan absorbed in American blues information.
Born in Highgate, London in 1945, Stewart’s youth was set against a backdrop of Fifties tunes and a family brimming with information, where his affinity for rhythm and blues took root early on.
When he joined the Faces in the late Nineteen Sixties, Stewart’s ardour for blues was already well-established. The band, which emerged from the ashes of the Small Faces, closely integrated the early Chicago sound into their music, typically performing blues classics during their energetic and assured dwell reveals.
‘I Feel So Good’ was a staple in their repertoire. Originally penned and recorded by Big Bill Broonzy, the rendition that caught Stewart’s ear was Muddy Waters’ 1960 recording, one of many electrified blues information that revolutionized the style.
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Featuring Little Walter’s sharp harmonica and Willie Dixon’s dynamic bassline, the tune turned a touchstone for a technology of British musicians exploring blues.
Wrapping up the radio show, Stewart chosen this observe as his final favorite from a checklist of his high 10 songs – a lineup that included hits by Billie Holiday, Frank Sinatra, Otis Redding, Bruno Mars, among others.
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